Introduction
unique – of which there is only oneOxford English Dictionary Dear Community Member/Reader, It is my honor to introduce the eighth issue of the Great Books Symposium Journal (GBSJ), a unique issue of a unique […]
Symposium: the Great Books Symposium Journal
A Wright College Publication for Community College Students
unique – of which there is only oneOxford English Dictionary Dear Community Member/Reader, It is my honor to introduce the eighth issue of the Great Books Symposium Journal (GBSJ), a unique issue of a unique […]
Melissa Glontea The significance of setting is paramount in William Shakespeare’s Othello (c. 1603). It is the determinant contributing factor to the tragedies that occur in the play, at first supporting yet finally upending heroes and villains […]
Sara Walls The Wife of Bath is a controversial character, perhaps the most controversial out of Geoffrey Chaucer’s pilgrim pantheon. Her fiercely radical ideology inherently falls outside the proposed, socially acceptable, established mode of thought, […]
Dianna Garzón In Elizabethan and Jacobean tragedies, there is a standard narrative of corruption within the court system, evoking a feeling of obligation for the lead avenger to seek a form of justice known as […]
Sofie Kellar “He does mischief to himself who does mischief to another, and evil planned harms the plotter most” (Hesiod, Works and Days, 23). In William Shakespeare’s The Tragedy of Othello, the Moor of Venice (c. 1603), Iago […]
Yaryna Dyakiv A Midsummer Night’s Dream (c. 1595) by William Shakespeare is a comedy that examines relationships between men and women, as well as gender roles. Some influential scholars, like Sukanta Chaudhuri and James Calderwood, view A […]
Dinaz Wadia In Geoffrey Chaucer’s “The Wife of Bath’s Prologue and Tale” from The Canterbury Tales (1387-1400), the narrator Alisoun’s unique portrayal of literature archetypes expresses and challenges social expectations of power and morality. The Wife of […]
Cassandra Lagunas Religious influence is not only evident in a general population’s behavior but in the conduct of literary characters, as well. During the sixteenth century, when Thomas Kyd’s The Spanish Tragedy (c. 1587) was written, revenge […]